| The Great God Pan | |
|---|---|
| Author(s) | Arthur Machen |
| Country | United Kingdom |
| Language | English |
| Genre(s) | Horror novella |
| Publisher | John Lane |
| Publication date | 1894 |
| Media type | Print (hardcover) |
"The Great God Pan" is a novella written by Arthur Machen. A version of the story was published in the magazine The Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was possibly inspired by the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan."
Contents |
Mary, a young woman in Wales, has her mind destroyed by Dr Raymond's attempt to enable her to see the god of nature, Pan. Years later the beautiful but sinister-looking Helen Vaughan arrives on the London social scene, disturbing many young men and causing some of them to commit suicide. It transpires that she is the monstrous offspring of the god Pan and the woman in Raymond's experiment.
In "Supernatural Horror in Literature" (1926; revised 1933), H. P. Lovecraft praised the story, saying: "No one could begin to describe the cumulative suspense and ultimate horror with which every paragraph abounds"; he added that "the sensitive reader" reaches the end with "an appreciative shudder." Lovecraft also noted, however, that "melodrama is undeniably present, and coincidence is stretched to a length which appears absurd upon analysis." The Encyclopedia of Science Fiction (1993) notes "The story begins with an sf rationale (brain surgery) which remains one of the most dramatically horrible and misogynistic in fiction."
"The Great God" was brought to the stage in 2008 by WildClaw Theatre Company in Chicago. It was adapted and directed by WildClaw Artistic Director Charley Sherman.
The story's depiction of a monstrous half-human hybrid inspired the main plotline of Lovecraft’s "The Dunwich Horror", which refers by name to Machen’s story. According to Lovecraft scholar Robert M. Price, "'The Dunwich Horror' is in every sense an homage to Machen and even a pastiche. There is little in Lovecraft's wonderful story that does not come directly out of Machen's fiction."[1] It also inspired Peter Straub's Ghost Story.
The book was translated into French by Paul-Jean Toulet (Le grand dieu Pan, Paris, 1901). It was a major influence on his first novel, Monsieur du Paur, homme public.
Stephen King wrote in the endnotes for his story collection Just After Sunset (2008) that his newly published novella N. was "strongly influenced" by Machen's piece, which he noted, "surmounts its rather clumsy prose and works its way relentlessly into the reader's terror-zone. How many sleepless nights has it caused? God knows, but a few of them were mine. I think 'Pan' is as close as the horror genre comes to a great white whale." In another interview he stated: "Not Lovecraft; it’s a riff on Arthur Machen’s “The Great God Pan,” which is one of the best horror stories ever written. Maybe the best in the English language. Mine isn’t anywhere near that good, but I loved the chance to put neurotic behavior—obsessive/compulsive disorder—together with the idea of a monster-filled macroverse." [2]